Abstract:

With the advent of consumer VR headset（HVR）products， the value and importance

of“embodiment”have been highlighted.“Embodiment”gives VR technology the possibility of

meaningful production， and also makes the media value of HVR reflected. HVR has three levels of

embodiment， that is， from physical space， visual space to psychological space are embodied. This

embodied form also makes VR content unique from other media. To this end， producers must

create a relationship between the“horizon”and the embodied experiencer， and use this creation

as a general mode of understanding of VR works; and that’s why embodied montages come

about. As a way of VR meaning production， embodied montage is both a narrative method of VR

content and a connection schema of VR content. Corresponding to this production method， VR

has formed two content interpretation modes ： synesthesia-metaphor mode and continuous

disembodied mode. In practical application， it is necessary to reasonably set up the link，

frequency and degree of interaction between the experiencer and the content， and refine and

grasp the visual picture from the perspective of semiotics， so as to create new meaning in VR

content production.

CLC Number: 

• G237