艾伦·金斯堡照片书的跨媒介叙事 ：范式、过程与意义

Abstract

Abstract:

This study analyzes the rhetorical strategies employed in Allen Ginsberg’ s photobook， focusing on the interplay between text and image. It reveals that Ginsberg embeds poetic imagination within the symbolic gaps between handwritten text and photographs， creating a cross-media narrative paradigm of “snapshot poetics.” This process manifests both in the historical dimension， where isolated images are transformed into temporal archives and in the body writing dimension， which reconstructs the embodied presence and group interactions of the “Beat Generation” artists. Based on this， the study explores the cross-media narrative significance of Ginsberg’ s photobook in constructing the cultural image of the “Beat Generation” poets. It highlights the breaking of the limitations inherent in single-media narratives and how establishing a framework for perceiving sacred moments facilitates a layered transition in cultural writing. Ultimately， on an individual level， the study activates the reader’ s awareness of the artist’ s existential state ； on a collective level， it decodes the cultural identity of anti-traditional artists ； and on a macro level， it reconstructs the socio-cultural coordinates of the “Beat Generation” literary movement.

Key words:

Allen Ginsberg, , Photobook , Cross-media narrative, , Visual writing , The Beat Generation

CLC Number:

G237

Sheng Yu , Ouyang Qian.

The Cross-Media Narrative of Allen Ginsberg’s Photobooks ： Paradigm， Process，and Significance

[J]. Publishing Journal, 2025, 33(4): 106-113.

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The Cross-Media Narrative of Allen Ginsberg’s Photobooks ： Paradigm， Process，and Significance

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