出版科学 ›› 2022, Vol. 30 ›› Issue (2): 109-.

• 出版史 出版文化 • 上一篇    下一篇

近代古籍展览会 ：文本空间再造与意义再生产

  

  1. 华东师范大学传播学院，上海，200241
  • 出版日期:2022-03-15 发布日期:2022-04-07
  • 作者简介:朱琳，管理学博士，华东师范大学传播学院讲师。
  • 基金资助:
    本文系国家社会科学青年基金项目“传统再造视野下的民国古籍出版史料整理与研究”（20CTQ013）
    的阶段性研究成果。

The Exhibitions of Ancient Books in Modern China ： Spacial Reconstruction of Text
and Reproduction of Meaning

  1. School of Communication，East China Normal University，Shanghai，200241
  • Online:2022-03-15 Published:2022-04-07

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摘要：

在对近代报刊上的相关史料进行搜集、整理的基础上，运用统计、比较、归纳等方法，
探讨了近代展览会作为一种媒介工具，对古籍的近代形象与功能进行了重塑，及其背后勾连隐伏的
社会网络与时代意志。文章认为，古籍展览会本质上促发于文化保守主义和民族主义的合谋。一方
面，展览会拓展了传统文化的传播路径，束之高阁的文献古籍，经由展览空间而触及阁外大众世界；
另一方面，传承文化仅是醉翁之姿，展览会本质上是借取古籍的某些意象和符号，将自身铸造成
一具爱国装置，投注和释放“提升民族自信”“抵御外侮”的时代意志和抗争信号。

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Abstract:

Based on the collection and arrangement of relevant historical materials in modern
newspapers and periodicals， and using the methods of statistics， comparison and induction， this
study mainly discusses the hidden social network and the will of the times behind the publicity and
dissemination of ancient books， as well as its reconstruction of the modern image and function
of ancient books. The paper holds that the exhibition of ancient books in modern China were
essentially produced by the concerted effort of cultural conservatism and nationalism. On the
one hand， the exhibition expanded the transmission path of traditional culture， and the ancient
documents and books put on the shelf had been spread to the wider world through the exhibition
space; On the other hand， inheriting culture was not the fundamental purpose of the exhibition.
In essence， the exhibition cast itself into a patriotic device by borrowing some images and
symbols from ancient books， to enhance national self-confidence， and to release signals of the
determination to resisting foreign aggression.

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