出版科学 ›› 2026, Vol. 34 ›› Issue (3): 42-49.

• 事业与产业 • 上一篇    下一篇

中国书籍封面设计从传统向现代演变的缩影——论陶元庆封面设计艺术的五重向度

  

  1. (南昌大学建筑与设计学院,南昌,330031
  • 收稿日期:2025-03-09 修回日期:2026-01-07 出版日期:2026-07-13 发布日期:2026-07-13
  • 作者简介:杨新忠,文学博士,南昌大学建筑与设计学院副教授、硕士生导师;刘若雨,南昌大学建筑与设计学院2024级硕士生;胡卜文,南昌大学建筑与设计学院讲师。
  • 基金资助:

    本文系2025年江西省社会科学基金年度重点项目“中国文旅发展同质化问题解决对策研究——以南昌为例”;2023年度江西省高校人文社会科学研究一般项目“人工智能生成内容在艺术设计中的使用研究——以书籍封面设计为例”(YS23103)的研究成果。

A Microcosm of the Development of Traditional Chinese Book Cover Design towards Modern Book Cover Design: on the Five Dimensions of Tao Yuanqings Cover Design

  1. Architecture & Design College, Nanchang University, Nanchang, 330031

  • Received:2025-03-09 Revised:2026-01-07 Online:2026-07-13 Published:2026-07-13

摘要:

陶元庆是中国现代书籍装帧范式革命性变革初期的一位重要实践探索者,梳理和分析
其设计的 40 多张书籍封面,研究其在东方图式与西方图式、抽象符号与具象符号、封面绘画与
绘画封面、图案语言与绘画语言、自然画家与书面画家五重向度上进行的独到而鲜明的探索成就。
指出陶元庆在中国现代书籍封面设计上进行的五重向度探索和构建,是中国书籍封面设计从传统
向现代演变的缩影,具有独特的贡献。

Abstract:

Tao Yuanqing was a pivotal practitioner during the initial phase of revolutionary transformations in China’ s modern bookbinding paradigm. This article systematically examines and analyzes over 40 book covers designed by him, exploring his distinctive achievements across five dimensions: eastern versus western visual schemes, abstract versus concrete symbols, cover illustrations versus painted covers, pattern language versus pictorial language, and natural painters versus written artists. It is emphasized that Tao Yuanqing’ s five-dimensional explorations and innovations in China’ s modern book cover design serve as a microcosm of the evolution from traditional to contemporary book cover design in China, making unique contributions to the field.

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