出版科学 ›› 2025, Vol. 33 ›› Issue (4): 106-113.

• 青年学者论坛 • 上一篇    下一篇

艾伦·金斯堡照片书的跨媒介叙事 :范式、过程与意义

  

  1. 中国科学院大学外语系

    北京外国语大学区域与全球治理高等研究院

  • 收稿日期:2025-02-18 修回日期:2025-05-21 出版日期:2025-07-29 发布日期:2025-07-29
  • 作者简介:盛钰,文学博士,中国科学院大学外语系讲师 ;欧阳骞,通讯作者,文学博士,北京外国语大学区域与全球治理高等研究院博士后、助理研究员。
  • 基金资助:
    本文系中央高校基本科研业务费专项资金资助项目“宋代山水画在美国现当代诗歌中的再现”(E3E41704)的阶段性成果。

The Cross-Media Narrative of Allen Ginsberg’s Photobooks : Paradigm, Process,and Significance

  1. Department of Foreign Languages, University of Chinese Academy of Sciences
    Country and Area Studies Academy, Beijing Foreign Studies University
  • Received:2025-02-18 Revised:2025-05-21 Online:2025-07-29 Published:2025-07-29

摘要:

分析艾伦·金斯堡照片书“语图互文”修辞策略的运作机制,发现其通过在手写文字与照片的符号裂隙中植入诗意想象,创造出“快照诗学”跨媒介叙事范式。其实现过程既体现在历史还原维度将孤立影像转化为历时性档案,又在身体书写维度重构“垮掉的一代”艺术家的身体在场性与群体互动网络。基于此,探析金斯堡照片书建构“垮掉的一代”诗人群体文化形象的跨媒介叙事意义,突破单一媒介的叙事局限,通过建立神圣瞬间的感知框架,实现文化书写的层级跃迁,最终在个体层面激活读者对艺术家生存状态的认知,在群体层面解析反传统艺术家的文化身份,在宏观层面重构“垮掉的一代”文学运动的社会文化坐标。

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Abstract:

This study analyzes the rhetorical strategies employed in Allen Ginsberg’ s photobook, focusing on the interplay between text and image. It reveals that Ginsberg embeds poetic imagination within the symbolic gaps between handwritten text and photographs, creating a cross-media narrative paradigm of “snapshot poetics.” This process manifests both in the historical dimension, where isolated images are transformed into temporal archives and in the body writing dimension, which reconstructs the embodied presence and group interactions of the “Beat Generation” artists. Based on this, the study explores the cross-media narrative significance of Ginsberg’ s photobook in constructing the cultural image of the “Beat Generation” poets. It highlights the breaking of the limitations inherent in single-media narratives and how establishing a framework for perceiving sacred moments facilitates a layered transition in cultural writing. Ultimately, on an individual level, the study activates the reader’ s awareness of the artist’ s existential state ; on a collective level, it decodes the cultural identity of anti-traditional artists ; and on a macro level, it reconstructs the socio-cultural coordinates of the “Beat Generation” literary movement.

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