出版科学 ›› 2017, Vol. 25 ›› Issue (6): 112-.

• 出版史 出版文化 • 上一篇    下一篇

明刊戏曲中的“一剧多图本”现象探析

张青飞   

  1. (宝鸡文理学院文学与新闻传播学院,宝鸡,721013)
  • 出版日期:2017-11-15 发布日期:2017-11-15
  • 作者简介: 张青飞,文学博士,宝鸡文理学院文学与新闻传播学院讲师。
  • 基金资助:

     本文系国家社会科学基金重大招标项目“《全明戏曲》编纂及明代戏曲文献研究”(10&ZD105)研究成果。

An Analysis of the Phenomenon of A Drama with Kinds of Illustrations in Ming Dynasty’s Dramatic Publishing

  • Online:2017-11-15 Published:2017-11-15

摘要:

明刊戏曲中,除所熟知的《西厢记》《琵琶记》等有不止一种插图本外,还有数目可观的剧目有不
止一种插图本刊刻流通。此乃“一剧多图本”现象。出现原因主要有:从出版者的视角看,是涉利之争;从插
图的绘制者来看,是画家的不同理解;从接受者的视角看,是不同层次读者之需求;从剧本本身看,是名剧的
魅力及阐释空间。其促进了戏曲文本传播,扩大了剧作影响力,阐发了剧本内在意蕴,提升了戏曲插图艺术性,
且具有版本意义,是戏曲出版史上一种独特的颇值关注的现象。

Abstract:

There are kinds of dramas with more than one illustrated editions, such as The West Chamber
and Pi Pa Ji . It is the phenomenon of a drama with kinds of illustrations. There are many reasons for the
phenomenon, such as the pursuit of profit for publishers, the different understanding among painters, the
demands of readers from different classes and the charm from famous dramas. The phenomenon has an
important impact on publishing, understanding and illustrations artistry.