出版科学 ›› 2010, Vol. 18 ›› Issue (2): 95-.

• 出版史 出版文化 • 上一篇    下一篇

抄本传播与魏晋南北朝时期的作者、读者和作品

陈 静   

  1. ( 济南大学文学院,济南,250002)
  • 出版日期:2010-03-15 发布日期:2010-03-15
  • 作者简介:陈静,博士,济南大学文学院副教授。

  • Online:2010-03-15 Published:2010-03-15

摘要:

魏晋南北朝时期, 纸的普及引领中国文化进入抄本传播的新时代。 新媒介对作者、 读者和作品
都产生了巨大深远的影响。 对作者而言, 书写材料方便易得, 作品传播迅速广泛, 可以当世成名, 这无疑极大
地鼓励了他们的创作积极性, 直接促成魏晋以来作品数量激增的盛况。 对于读者而言, 抄本传播的便捷使得他
们能够及时阅读同时代人的作品, 并能进行当世的交流与评论, 形成文学批评实践, 进而推动以刘勰、 钟嵘为
代表的系统、 成熟的文学理论的形成。 对作品而言, 抄本传播使社会进入阅读文化时代, 诗歌开始与音乐分离,
真正变成阅读文化。

关键词: 纸丨 抄本 , 丨传播 , 丨阅读文化

Abstract:

The widespread using of paper leads China into the handwritten copies era during Wei Chin and the
Northern and Southern Dynasties. As a new media, handwritten copy deeply influences writers, readers and articles.
Writers can get the written materials easily, their articles can be spread broadly and quickly, then they are more
encouraged to write than before and that makes the amount of articles increase quickly from Wei Chin dynasties. Readers
can read the articles of contemporary writers and discuss them in time. Therefore criticism system which Liu Xie and
Zhong Rong represent finally come into being. For articles, handwritten copies bring the society into the reading culture
era. As the result, poetry separate from music and become the reading culture phenomenon.