出版科学 ›› 2024, Vol. 32 ›› Issue (01): 70-.

• 青年学者论坛 • 上一篇    下一篇

沉浸式演艺的空间生产与价值表达研究

  

  1. (武汉大学媒体发展研究中心 / 武汉大学新闻与传播学院,武汉,430072)(武汉大学国家文化发展研究院,武汉,
    430072)
  • 出版日期:2024-01-15 发布日期:2024-01-15
  • 作者简介:陈波,武汉大学媒体发展研究中心 / 武汉大家新闻与传播学院教授、博士生导师 ;欧阳钰琳,武汉 大学国家文化发展研究院 2021 级硕士生。

Spatial Production and Value Expression of Immersive Performing Arts

  1. (Center for Studies of Media Development / School of Journalism and Communication, Wuhan
    University, Wuhan, 430072)(National Institute of Cultural Development in Wuhan University,
    Wuhan, 430072)
  • Online:2024-01-15 Published:2024-01-15

摘要:

以列斐伏尔空间生产理论为基础,沉浸式演艺中的个体在空间中表现为“沉浸在场”这一新型在场方式,基于其形式、内容和作用特征,沉浸式演艺的复合媒介、叙事文本和互动体验这三大要素相互交织、共同作用,构成介质空间、叙事空间和应答空间“三位一体”的空间生产机制,在个体与空间的双向互动过程中建构起沉浸式演艺的空间价值,通过场景塑造、合理应用科技激发空间效能,内容表达、彰显空间的文化价值,主题 IP 培育、构建文化传播话语体系这三方面实现沉浸式演艺的价值表达。

Abstract:

Based on Henri Lefebvre’ s theory of spatial production, individuals in immersive performances manifest a novel presence in space termed as “immersive presence.” Grounded in its formal, content, and functional characteristics, the three elements of immersive performances— composite media, narrative text, and interactive experiences—interweave and interact, constituting a spatial production mechanism of “three in one” encompassing medium space, narrative space, and responsive space. In the bidirectional interactive process between individuals and space, the spatial value of immersive performances is constructed. This is achieved through the shaping of scenes, the judicious application of technology to stimulate spatial efficiency, the expression of content, highlighting the cultural value of space, and the cultivation of thematic IPs, constructing a cultural communication discourse system. In these three aspects, the value expression of immersive performances is realized.

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